Living in a small town in the Catskills, siblings Leon and Ursula have an unusual home life. Their mother is obsessed with cleaning. Their father, the town doctor, is aloof to them most of the time, but when necessary, explains things in a very straightforward, clinical manner. Even his facts of life talk describes sex as merely a biological need, like thirst or hunger. Then there’s Pin, the transparent anatomical manikin in his office, which, through the use of ventriloquism, the doctor uses with child patients to explain things or ease anxiety. Leon enjoys visiting his father’s office and talking to Pin while his father manages paperwork or tidies up.
Because of their father’s emotional remoteness and mother’s obsessive compulsive behavior, the siblings don’t have many friends, if any, during their younger years. Their social lives pick up when they’re in their teens and begin to date, but Leon and Ursula still turn to each other as confidants, always relaying the events of their evenings out, no matter how intimate. When their parents are involved in an accident, the siblings lives take a dramatic turn. Their bond being so close, they refuse to live with relatives, preferring to remain in the house they were raised. They do, however, gain a new housemate, Pin. Why not? He’s already like one of the family.
The synopsis may not sound very exciting, but Pin is an intriguing psychological horror/thriller that is wonderfully bizarre. Perverse, even. Told in first person by Leon, the book begins with a prologue steeped in weirdness. The first three or four chapters are a little bumpy, comprised of quick vignettes of various events over a number of years, but once the accident occurs, the book settles into a nice, smooth groove. Those early chapters contain some important information that ties into later events, and when I read one seemingly simple, innocuous sentence, I suspected, at least in part, how the novel would end. It didn’t detract from my enjoyment, the ride getting there was great, in a fantastically twisted way. In fact, events in those early chapters are so skillfully woven in, when I reread the prologue, I discovered another layer to the epilogue.
The characters are few, only focusing on three or four, which creates an intimacy, allowing the reader to become immersed in their world and lives. Neiderman lulls us into accepting the eccentricities of the characters through the use of dark humor, affability, and even charm, yet all the while the reader rationally knows that what’s going on isn’t quite right. The action, for the most part, is limited to the house where Leon and Ursula live, a mansion backed by woods. Isolation, cold, and loss are prevalent themes. The house is physically isolated, and Leon and Ursula are socially, and at times, emotionally, secluded. Some of the most important events take place in the winter, which I believe was a conscious decision on the part of the author. The cold doesn’t just apply to the season or weather; occasionally, when Leon is agitated or upset, he experiences temporary numbing and coldness in his hands. Remember, too, the emotional coldness of the parents.
Loss is another theme running through the book. Loss of innocence, childhood, loved ones. Loss of will, identity, self, and sanity. It’s also a story of extremes; Mother is an extreme clean freak, Father is extremely clinical, Leon and Ursula share an extreme intimacy. Distance and closeness; too much of either can be a detrimental, even dangerous, thing.
With shades of early, authentic VC Andrews, perhaps some Shirley Jackson, and one particular work by William Goldman, Pin is a good entry in late-20th century American Gothic. Don’t be misled into thinking this is a low-tier knock-off of the above mentioned authors. Pin is unique and holds its own as an engrossing look at a strange family dynamic steeped in both disengagement and preoccupation. A detached mother focused on her cleaning obsession, a cool, unemotional, non-demonstrative father focused on his medicine, and a sibling relationship so familiar, it hints of pseudo-incestuousness. And, at the heart of it all, is Pin. It’s so easy to like Pin. I guarantee you’ll never forget Pin.
This book is an excellent read, and one I highly recommend. Deserving more attention than it gets, Pin is a novel that can, and should, be read more than once. Complex, layered, and nuanced, it’s a story that gets in your head, stays with you, and makes you think. One of my new all-time favorites, it earns my highest rating, ***** out of 5.